Cara Bali – Lagu Ajéng Karawang

12-12-2011 Karawang Regencies 27220 viewed


How to Bali is one of the songs on the ensemble Maya in Falkirk (and Bogor). How to Bali is also the most complex song, but the principal, which must first be played at every gig Maya. If the group began playing Maya-day night, the next morning, and then also the closing night, this song will be played three times. He called Bali-way ‖ because we can hear the similarity with Balinese gamelan, both in taste (-sentiment ‖) as well as technically. In this song we get strong accents in a tempo that is often not regular, not air-meter, did not even knock. Besides, who is also a strong feel of her Bali is the existence of two sets of drums played by interlocking face (content-filling). Another name is also commonly used for this song is Sora Bali (Bali-voice ‖). Therefore, the word-how to ‖ from the name of this song may mean-force, ‖-engineering, ‖ ‖ or-like music of Bali.
That said, between the Sunda and Bali in the region around this Betawi, on the 17th and 18th centuries many soldiers from Bali (other than Java and Madura) brought in to attack Batavia by Sultan Agung. For this purpose, Sultan Agung-rice farming system developed as a means of logistics. After the war (which ultimately fail or lose it), the soldiers were many who continued to live there. If this is true, then the interference play style of Balinese gamelan and Sundanese-it's not a coincidence that ‖ alone, but supported also by the existence of socio-political historical events.

Apart from that, the song How Bali is the most unique. He did not get in on the group (style) Other songs like rancag, gambangan, the song repertoire of Maya. There are some parts that play only tarompét (double reed, double-tongue), or other instruments such as bonang, which was followed by other instruments with drum prefix. In a way this is also the most Bali there are plenty of movement songs (melody), so it is a series of songs (suite). But, also similar to other Maya songs, lots of parts ranging from a relatively slow tempo, gradually mencepat, to quickly knock, which then switch again to another part of the tempo is slow or non-metric. 

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